{"id":5757,"date":"2021-01-10T02:24:40","date_gmt":"2021-01-10T02:24:40","guid":{"rendered":"https:\/\/pruebafotografia7836.live-website.com\/?p=5757"},"modified":"2026-09-21T19:17:33","modified_gmt":"2026-09-21T19:17:33","slug":"jc-nuevo-como-se-hizo-noche-en-el-monasterio","status":"publish","type":"post","link":"https:\/\/juliocastrofotografia.com\/en\/reportajes\/jc-nuevo-como-se-hizo-noche-en-el-monasterio\/","title":{"rendered":"Behind the image: \u201cNight at the Monastery\u201d"},"content":{"rendered":"<figure>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/juliocastrofotografia.com\/wp-content\/uploads\/2026\/09\/web-8657153a17b6a305.webp\"><br \/>\n\t\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/juliocastrofotografia.com\/wp-content\/uploads\/2026\/09\/web-8657153a17b6a305.webp\" alt=\"Noche en el Monasterio III\" loading=\"lazy\">\t\t\t\t\t\t\t\t<\/a><figcaption>Sony Alpha 7R3 \u2013 Sigma 14\u201324 f\/2.8 \u2013 14 photographs at 15 mm, 25 seconds, f\/2.8 and ISO 6400<\/figcaption><\/figure>\n<p><b>PLANNING<\/b><\/p>\n<p>Some places stay with you long after you first see them in a photograph. When I saw this image on social media about a year and a half ago, I knew I had to visit and bring my own perspective to this fantastic location.<\/p>\n<p>For the all-too-familiar reasons associated with the coronavirus pandemic, however, I could not visit until mid-July 2020.<\/p>\n<p>For this little adventure, I joined two of my regular companions, Carlos Fornos and Felipe Souto, on a one-night trip from Galicia to the Monastery of Nuestra Se\u00f1ora del Risco in the province of \u00c1vila.<\/p>\n<p>Our first challenge was to work out how far we could drive. Google Maps showed a dirt track leading from Amavida to the monastery, in the heart of the Ambl\u00e9s Valley.<\/p>\n<p><b>Start of the track to the monastery<\/b><\/p>\n<p>\t\t\t<iframe src=\"https:\/\/maps.google.com\/maps?q=40.577379%2C%20-5.071181&amp;t=m&amp;z=16&amp;output=embed&amp;iwloc=near\" title=\"40.577379, -5.071181\" loading=\"lazy\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>After a while, the dirt track became rougher, with many potholes and rocks. Although we had an SUV, we decided to park and continue on foot.<\/p>\n<p><b>Approximate location where we parked<\/b><\/p>\n<p>\t\t\t<iframe src=\"https:\/\/maps.google.com\/maps?q=40.585699%2C%20-5.086126&amp;t=m&amp;z=16&amp;output=embed&amp;iwloc=near\" title=\"40.585699, -5.086126\" loading=\"lazy\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>We continued walking and, after passing a small wood, took a signposted left turn towards the monastery.<\/p>\n<p><b>Location of the uphill turn towards the monastery<\/b><\/p>\n<p>\t\t\t<iframe src=\"https:\/\/maps.google.com\/maps?q=40.593423%2C%20-5.088295&amp;t=m&amp;z=16&amp;output=embed&amp;iwloc=near\" title=\"40.593423, -5.088295\" loading=\"lazy\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>The path climbed gently for around 500 metres, and we soon reached the ruins.<\/p>\n<p>This former Augustinian monastery dates from 1504 and was an important ecclesiastical centre in the late Middle Ages. It had a church, cloister, monks\u2019 quarters, lookout, cultivated terraces, pilgrims\u2019 accommodation, stables, storerooms and a good network of water supplies and access tracks.<\/p>\n<p>Today, only the bell tower, the former church\u2019s entrance arch, part of the apse hidden by vegetation, and remnants of the walls remain standing.<\/p>\n<p>For our photographs, we went above the monastery, where only the bell tower was visible and the other ruins were hidden below it.<\/p>\n<p><b>Location from which I took the photographs<\/b><\/p>\n<p>\t\t\t<iframe src=\"https:\/\/maps.google.com\/maps?q=40.591441%2C%20-5.093396&amp;t=m&amp;z=16&amp;output=embed&amp;iwloc=near\" title=\"40.591441, -5.093396\" loading=\"lazy\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><b>TAKING THE PHOTOGRAPH<\/b><\/p>\n<p>First, we looked for the best way to light the bell tower. The access and staircase were surprisingly well preserved, so getting up was straightforward.<\/p>\n<p>We decided to illuminate it with small light boxes called Little Magic Box, handmade by fellow photographer <strong>Miguel G\u00f3mez<\/strong> (<a href=\"http:\/\/www.miguelgomezphoto.com\/blog\/\">http:\/\/www.miguelgomezphoto.com\/blog\/<\/a>) and configurable with different-coloured LEDs and adjustable brightness.<\/p>\n<p>We chose an orange LED to give the tower a warm glow at low power. When shooting at such high ISO settings, very little light is needed.<\/p>\n<p><b>Images of the Little Magic Box<\/b><\/p>\n<div class=\"jca-story-gallery\">\n<p>\t\t\t\t<a href=\"https:\/\/juliocastrofotografia.com\/wp-content\/uploads\/2026\/09\/web-c53d11e48d7ebdff.webp\"><img decoding=\"async\" src=\"https:\/\/juliocastrofotografia.com\/wp-content\/uploads\/2026\/09\/web-c53d11e48d7ebdff.webp\" alt=\"\" loading=\"lazy\"><\/a><\/p>\n<p>\t\t\t\tThe orange lighting we used<\/p>\n<p>\t\t\t\t<a href=\"https:\/\/juliocastrofotografia.com\/wp-content\/uploads\/2026\/09\/web-2c39fe05ff843065.webp\"><img decoding=\"async\" src=\"https:\/\/juliocastrofotografia.com\/wp-content\/uploads\/2026\/09\/web-2c39fe05ff843065.webp\" alt=\"\" loading=\"lazy\"><\/a><\/p>\n<p>\t\t\t\tWhite LED light<br \/>\n\t\t\t\t<\/p><\/div>\n<p>Once the tower was lit, we started shooting immediately. At that time of year the Milky Way was already high when it rose, so we needed two-row panoramas to capture its complete arch and the foreground.<\/p>\n<p>The classic composition here is a panorama with the bell tower directly beneath the centre of the Milky Way\u2019s arch. I wanted my own perspective, showing the tower from the side to give it depth and placing it on the right.\u00a0<\/p>\n<p>The drawback was that the composition felt weighted to the right, so I decided to include myself, posing with a Mini Maglite torch with its head removed to expose the bulb.<\/p>\n<p>This was my first photograph of the location: a panorama of 12 vertical images at 14 mm, arranged in two rows of six. I posed only in the frames needed to ensure the panorama would stitch correctly.<\/p>\n<p><b>Panorama frame layout and finished photograph<\/b><\/p>\n<div class=\"jca-story-gallery\">\n<p>\t\t\t\t<a href=\"https:\/\/juliocastrofotografia.com\/wp-content\/uploads\/2026\/09\/web-c61e2264e385f972.webp\"><img decoding=\"async\" src=\"https:\/\/juliocastrofotografia.com\/wp-content\/uploads\/2026\/09\/web-c61e2264e385f972.webp\" alt=\"\" loading=\"lazy\"><\/a><\/p>\n<p>\t\t\t\tPanorama layout<\/p>\n<p>\t\t\t\t<a href=\"https:\/\/juliocastrofotografia.com\/wp-content\/uploads\/2026\/09\/web-00e2b7209bffd03c.webp\"><img decoding=\"async\" src=\"https:\/\/juliocastrofotografia.com\/wp-content\/uploads\/2026\/09\/web-00e2b7209bffd03c.webp\" alt=\"\" loading=\"lazy\"><\/a><\/p>\n<p>\t\t\t\tFinished photograph<br \/>\n\t\t\t\t<\/p><\/div>\n<p>I spent some time trying different compositions with the tower and Milky Way as the main elements. For the image featured here, I moved to the other side of the tower and a slightly higher position, then shot 14 vertical frames at 15 mm in two rows of seven. When my companion posed with his torch for his own photograph, I included him in the panorama to add another point of interest.<\/p>\n<p><b>Final result<\/b><\/p>\n<div class=\"jca-story-gallery\">\n<p>\t\t\t\t<a href=\"https:\/\/juliocastrofotografia.com\/wp-content\/uploads\/2026\/09\/web-8657153a17b6a305.webp\"><img decoding=\"async\" src=\"https:\/\/juliocastrofotografia.com\/wp-content\/uploads\/2026\/09\/web-8657153a17b6a305.webp\" alt=\"\" loading=\"lazy\"><\/a><br \/>\n\t\t\t<\/p><\/div>\n<p>Just before leaving, I decided to make a more extreme panorama from the path descending beside the tower. From there, the surviving church entrance arch was also visible. I lit it with another Little Magic Box using the same settings as the tower.<\/p>\n<p>From that position, I took another panorama of 14 vertical photographs arranged in the same way as before.<\/p>\n<p><b>Final result<\/b><\/p>\n<div class=\"jca-story-gallery\">\n<p>\t\t\t\t<a href=\"https:\/\/juliocastrofotografia.com\/wp-content\/uploads\/2026\/09\/web-2f4aff764fa24519.webp\"><img decoding=\"async\" src=\"https:\/\/juliocastrofotografia.com\/wp-content\/uploads\/2026\/09\/web-2f4aff764fa24519.webp\" alt=\"\" loading=\"lazy\"><\/a><br \/>\n\t\t\t<\/p><\/div>\n<p><b>POST-PROCESSING<\/b><\/p>\n<p>Let us look at the editing of the second panorama, although the process was virtually the same for all the images.<\/p>\n<p>I stitched the panorama in Photoshop\u2019s Camera Raw and made a basic RAW edit, prioritising a good colour balance and sufficient foreground brightness while reducing the noise caused by lifting the shadows.<\/p>\n<div class=\"jca-story-gallery\">\n<p>\t\t\t\t<a href=\"https:\/\/juliocastrofotografia.com\/wp-content\/uploads\/2026\/09\/web-09ea5b5ebf1b7120.webp\"><img decoding=\"async\" src=\"https:\/\/juliocastrofotografia.com\/wp-content\/uploads\/2026\/09\/web-09ea5b5ebf1b7120.webp\" alt=\"\" loading=\"lazy\"><\/a><\/p>\n<p>\t\t\t\tUnedited RAW<br \/>\n\t\t\t\t<\/p><\/div>\n<p>In Photoshop, as always when editing the Milky Way, I selected the sky so I could edit it separately from the land.<\/p>\n<p>In the sky, I prioritise the Milky Way, enhancing its colour, contrast and brightness, then doing the same for the rest of the sky.<\/p>\n<p>For the land, my priorities are adequate light without blocked shadows and a pleasing colour balance. I also reduce any noise introduced during editing.<\/p>\n<p><strong>IF YOU WOULD LIKE TO LEARN THE EDITING TECHNIQUES I USED FOR THIS IMAGE, HERE ARE MY NIGHT PHOTOGRAPHY EDITING TUTORIALS:<\/strong><\/p>","protected":false},"excerpt":{"rendered":"<p>Sony Alpha 7R3 &#8211; Sigma 14-24 f2,8 &#8211; 14 fotos a 15 mm, 25 segundos, f2,8 e ISO 6400 PLANIFICACI\u00d3N Hay lugares que despu\u00e9s de que los v\u00e9s en una foto te rondan en la cabeza durante mucho tiempo.\u00a0 Desde que v\u00ed esta foto hace aproximadamente a\u00f1o y medio en redes sociales, me dije que [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":56,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[26],"tags":[],"class_list":["post-5757","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reportajes"],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/juliocastrofotografia.com\/wp-content\/uploads\/2026\/09\/web-8657153a17b6a305.webp","_links":{"self":[{"href":"https:\/\/juliocastrofotografia.com\/en\/wp-json\/wp\/v2\/posts\/5757","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/juliocastrofotografia.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/juliocastrofotografia.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/juliocastrofotografia.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/juliocastrofotografia.com\/en\/wp-json\/wp\/v2\/comments?post=5757"}],"version-history":[{"count":1,"href":"https:\/\/juliocastrofotografia.com\/en\/wp-json\/wp\/v2\/posts\/5757\/revisions"}],"predecessor-version":[{"id":6710,"href":"https:\/\/juliocastrofotografia.com\/en\/wp-json\/wp\/v2\/posts\/5757\/revisions\/6710"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/juliocastrofotografia.com\/en\/wp-json\/wp\/v2\/media\/56"}],"wp:attachment":[{"href":"https:\/\/juliocastrofotografia.com\/en\/wp-json\/wp\/v2\/media?parent=5757"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/juliocastrofotografia.com\/en\/wp-json\/wp\/v2\/categories?post=5757"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/juliocastrofotografia.com\/en\/wp-json\/wp\/v2\/tags?post=5757"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}